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編輯推薦: |
打开绘画工具箱,一起来驾驭颜料画吧!
美国沃尔特·福斯特创意团队倾力打造“新手画家的工具箱”系列,从工具入手,由浅入深,用最具创意的方式开启新手画家的艺术生涯,在本系列中,你将接触到包括色彩、颜料画、素描画、不同作画表面等多种画材,通过沃尔特·福斯特创意团队的独特学习方法,助你成为不拘一格的艺术家!
与素描画不同,颜料画的画笔和色彩是分开的,这也使得颜料画的艺术效果拥有了更多的可能性,熟练运用画笔和颜料,并掌握它们的属性和技巧对于画家来说至关重要!“新手画家的工具箱”系列将绘画工具细化,单独用一个分册来有针对性地解析颜料画,如何选择画笔和颜料?不同属性的画笔和颜料适合打造什么样的艺术效果?怎样拓宽思路,充分开发画笔和颜料的潜能?......《颜料画的工具与材料》一书都会给出富有创意性的建议!学好了理论基础,就该付诸实践了!沃尔特·福斯特创意团队特邀多名艺术家创作出多幅利用不同画笔和颜料创作的作品,并且将过程做成分步骤图解,手把手教授颜料画的技巧和经验,通过本书的学习,定能帮助新手画家创作出带有个人风格的颜料画!
“新手画家的工具箱”系列之《颜料画的工具与材料》,是一本介绍颜料、画
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內容簡介: |
《颜料画的工具与材料》是“新手画家的工具箱”系列丛书中的一本,“新手画家的工具箱”系列都是关于绘画的内容,帮助绘画爱好者学习如何完美创作绘画作品。本书主要介绍在颜料画的绘画过程中需要用到的各种知识和实践技巧,包括选择画笔和颜料、调色、实用工具及其灵活运用等,尤其适合新手画家作为入门手册和选择颜料画的工具与材料的参考。
在颜料画的工具与材料中,新手画家将发现画笔样式、大小、形状和类型的重要差异,如何使用每种画笔创建不同类型的笔触,以及不同类型的刷子如何与各种颜料和辅助物相互作用。 新手画家将学习如何用颜料正确蘸满画笔,如何塑造画笔以塑造特定的笔触和效果,何时选择合成毛发做成的笔刷而不是天然毛发的等等。经验丰富的艺术指导专注于使用特定工具、材料和媒介的关键概念和实践方面,为帮助那些寻求学习颜料画基础知识的人提供完整的理解。
本书主要分5个章节,第一章是“画室与储存间”,在创作颜料画之前,一间适合自己的画室,一间精心整理过的个性化储存间,将是你能够有效创作满意的颜料画作品及妥善储存作品的前提;第二章“颜料和媒介剂”中,艺术家提供了充分的画材建议,多种颜料和媒介剂的属性和效果,及其互相作用等,新手画家将在本章获得系统和专业的指导;第三章“画笔和技法”则介绍了颜料画的另外一项重要画材——画笔,不同的画笔与不同的颜料搭配,将展示出完全不同的效果;第四章“绘画的基本概念”,在前几章充分介绍了绘画的储存环境和画材后,本章开始讲述如何创作作品,从选择颜色、画素描草稿到展现不同效果的技法,本章都将详细解读;最后一章“绘画示范”以多位艺术家的绘画成品作为示例,进行分步骤解读,为新手画家展示一幅完整的颜料画作品是如何从草稿一步一步变成色彩丰富,层次分明的完成品的,我们特意选取了采用不同种类颜料的绘画成品,如水彩画、丙烯画、油画等,也有结合多种材料创作的范例,新手画家可以跟随艺术家的分步骤图解,完成自己的创意颜料画!
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關於作者: |
沃尔特·福斯特创意团队是艺术指导中最知名的团队之一。沃尔特·福斯特头衔中的永恒绘画和绘画技巧帮助世界各地的人们展现他们的艺术才华。从传统的铅笔素描和丙烯酸,油画和水彩画,到混合媒体,手工刻字和DIY制作,沃尔特·福斯特创意团队为现代艺术家开发了一个完整的标题库。
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目錄:
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引言 ··································································································4
艺术家介绍 ······················································································5
第一章:画室与储存间 ·································································7
画架和工作台 ··················································································8
工具与设备的收纳 ········································································ 10
照明 ································································································ 12
舒适 ································································································ 12
画室的安全性 ················································································ 13
第二章:颜料和媒介剂 ······························································· 15
水彩 ································································································ 16
丙烯 ································································································ 22
油画 ································································································ 30
其他颜料 ························································································ 38
综合材料 ························································································ 39
色素 ································································································ 42
第三章:画笔和技法 ··································································· 49
画笔笔毛类型 ················································································ 50
画笔尺寸和结构解析 ···································································· 51
画笔笔头形状 ················································································ 52
画笔的使用技巧 ············································································ 60
其他技巧 ························································································ 68
第四章:绘画的基本概念 ··························································· 75
色彩理论 ························································································ 76
调色 ································································································ 78
线条画的方法 ················································································ 80
色彩画的方法 ················································································ 82
第五章:绘画示范 ······································································· 89
渲染晚霞 ························································································ 90
描绘水中的倒影 ············································································ 92
用阴影塑形 ···················································································· 96
使用底层色 ··················································································· 100
描绘风景 ······················································································· 104
做一把吉他 ··················································································· 110
结语 ······························································································· 112
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