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| 編輯推薦： |
*披露水墨画家调墨和运笔的独家秘诀，角度各有不同，让您更全面更深入地学习调墨和运笔。
*针对0基础学习者，让初学者也能轻松画出韵味丰富的墨色与富于快慢变化的笔势。
*9位日本人气画家首度公开多年经验秘诀，以及喜爱材料及独特应用，给读者提供实践经验上的切实参考。
在对水墨画技法的学习中，好的方法是成功的一半，而好的方法离不开名师的指导。《从零开始学水墨画 水墨画家的调墨、运笔秘诀》即为一本水墨画名师指导书。九位水墨画家根据自己擅长的风格提供了各自调墨和运笔的秘诀，逐一讲解水墨画学习中的重点和难点，角度各异，技法丰富，即使是初学者也可以达到事半功倍的效果。他们常用的笔墨纸砚等绘画工具也在本书中一一展示以供读者参考。
详尽是本书的特色之一。从开始的如何研磨、洗笔、调墨到终的作品呈现，每一个步骤均有说明，并附有直观清晰的配图，使读者对具体的绘画步骤清晰明了，易于掌握。
本书中的绘画题材广泛多样，包括风景、花卉、果实等，技法的讲解融合在具体的案例中，学习者可以在多种题材的绘画实践中习得水墨画中重要的调墨和运笔技法，更容易对技法灵活运用。
总之，对于学习水墨画的
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| 內容簡介： |
本书介绍了伊藤昌、大月红石、冈村南红、盐泽玉圣、根岸嘉一郎、白浪、藤崎千云、藤原六间堂、松井阳水九位画家各自调墨和运笔的独家技法，对水墨画学习者提供了非常实用的绘画实践指导。
对于学习水墨画的人来说，本书是一本讲解细致、干货满满的优秀教材。本书介绍了每位画家的用具配置、墨的研磨方法，以及所使用的画笔类型，介绍了各自创作中的调墨重点和运笔秘诀，并结合若干案例的画法讲解，来讲述破墨技法、叶子的画法、花瓣的画法、三墨法、水分的去除方法、墨的取法、水的取法等各位画家独特的绘画技法。案例题材丰富，有玫瑰、溪谷、雪景、山脉、牡丹、葡萄等，分步骤绘制并一一讲解，每一步均结合图片，直观易懂，让学习者便于掌握和运用这些技法。
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| 關於作者： |
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株式会社日贸出版社，1966年成立。前身是日本出版贸易株式会社出版部。主要从事书籍、杂志、音乐影像制品的引进和输出，以及批发零售业务。其他业务还有，西文图书、影像制品的引进；向在国外居住的日本人提供日本国内的书籍和杂志；与国外的书店、图书馆、研究机构合作书籍、杂志、日文教材；向国外输出日本国内的音像影像制品等。
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| 目錄：
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序言
笔墨鲜明的表现手法
伊藤昌 ----------------------------6
用具配置／墨的研磨方法／笔 ···························· 6
调墨重点 ················································· 6
运笔秘诀 ················································· 7
紫藤画法 用逆锋表现出藤蔓的强韧
樱花画法 破墨效果
画法讲解１ 画玫瑰 ········································ 8
破墨技法 ··············································· 8
画法讲解２ 画溪谷 ········································ 9
【作品举例】 T 字路／姫路城 ·······························10
中尊寺金色堂／月光 ··························11
宫岛严岛神社／屋久岛 ························12
薄暮／朝渔 ····································13
伊藤昌简历／个人技法要点······························13
用淡墨描绘娇艳的花朵
大月红石 ----------------------- 14
用具配置／墨的研磨方法／笔 ···························14
调墨重点 ················································14
运笔秘诀 叶子的画法 ··································15
绣球花的叶子／大吴风草的叶子
画法讲解１ 画绣球花 ···································16
画法讲解２ 画花束 ·······································18
【作品举例】 开始即结束， 结束即开始 ····················19
百合水仙 ······································20
银莲花 ········································21
人偶／花茎甘蓝 ·······························22
车百合 ········································23
大月红石简历／个人技法要点 ···························23
用精妙的笔法再现四季更替的自然之景
冈村南红 ------------------------ 24
用具配置／墨的研磨方法／笔 ···························24
调墨重点 ················································24
调墨的变化 ··············································25
花瓣的画法／小树枝的画法／树干的画法
画法讲解１ 画山茶花 ···································26
画法讲解２ 画雪景 ·······································27
画法讲解３ 画绣球花 ···································28
【作品举例】 染井吉野樱花 ·································30
玫瑰／池畔 ····································31
牵牛花 ········································32
牡丹 ···········································33
冈村南红简历／个人技法要点 ···························33
追寻墨色之美的源泉
盐泽玉圣 ------------------------- 34
用具配置／墨的研磨方法／笔 ···························34
调墨重点 ················································34
调墨的变化 ··············································35
从笔的一侧看形成的浓、中、淡三墨状态
从笔的一侧看形成的斜向的浓、中、淡三墨状态
画法讲解１ 画小麦 ·······································36
画法讲解２ 画富士山 ···································37
【作品举例】 风竹 ··········································39
灵峰 ···········································40
白映 ···········································41
盐泽玉圣简历／个人技法要点 ···························41
墨色之上，寄托时代精神
根岸嘉一郎 ----------------------- 42
用具配置／墨的研磨方法／笔 ···························42
调墨重点 ················································42
单侧三墨法 ··············································43
板刷的调墨 ··············································44
画法讲解１ 画雪林 ·······································45
画法讲解２ 画山脉 ·······································46
【作品举例】 神桥／寂 ······································48
断崖奇景（北山崎）／岬角 ···················49
上高地／春天的渔村 ··························50
玫瑰仿制品 ····································51
根岸嘉一郎简历／个人技法要点 ·························51
多样的创作方法
白浪 ------------------------- 52
用具配置／墨的研磨方法／笔 ···························52
调墨重点 浓淡要分别来画······························52
运笔秘诀 画古树 ·······································54
画法讲解 画牡丹 ·······································55
【作品举例】 古松 ··········································57
紫藤 ···········································58
石榴 ···········································59
白浪简历／个人技法要点 ································59
探究笔墨的可能性
藤崎千云 --------------------------- 60
用具配置／墨的研磨方法／笔 ···························60
调墨重点 ················································60
运笔秘诀１ 藏锋和露锋 ································61
运笔秘诀２ 点点 ·······································62
画法讲解１ 画山茶花 ···································63
画法讲解２ 画石山 ·······································65
【作品举例】 寒牡丹／秋实 ·································66
彩瞬 ···········································67
云山 ···········································68
溪声 ···········································69
藤崎千云简历／个人技法要点 ···························69
用传统技法表现新主题
藤原六间堂 --------------------------------------- 70
用具配置／墨的研磨方法／笔 ···························70
调墨重点 ················································70
调墨的变化 ··············································71
水分的去除方法／墨的取法①
墨的取法②／水的取法
画法讲解１ 画鸡 ··········································72
画法讲解２ 画葡萄 ·······································73
【作品举例】白雪皑皑／威尼斯清晨 ·······················75
云和月的对话／白桦林 ························76
无言 ···········································77
藤原六间堂简历／个人技法要点 ·························77
用澄净墨色描绘诗情画意
松井阳水 ---------------------------------------------- 78
用具配置／墨的研磨方法／笔 ···························78
调墨重点 ················································78
画法讲解１ 画黄昏的威尼斯 ·························79
画法讲解２ 画圣诞玫瑰 ································81
【作品举例】 玫瑰 ··········································83
山茶花／猫头鹰 ·······························84
阵雨 ···········································85
松井阳水简历／个人技法要点 ···························85
水墨画的主要技法 ·······································86
各位画家平时使用的用具和材料 ·························87
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| 內容試閱：
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水墨画的基础在于调墨和运笔，但画法和作品鉴赏也蕴含着无穷的魅力和乐趣。这是因为简约的手法中蕴含着解读作者画风的关键，而画风即作者主观意识的表现。运用自身掌握的调墨和运笔技法表现绘画对象，表现方式不同，形成的个人风格也不同。
另外，调墨和运笔与水墨画不可或缺的材料用具——笔墨纸砚等也不可分割。笔头中水分和墨的含量多少、笔毛的材质、墨的发色、砚台的研磨情况、纸的渗墨性等，这些不同要素在调墨和运笔中融合的方式不同，也会产生不同的画法。
本书介绍了九位画家调墨和运笔的手法。各人的技法要点有所不同，但都按照“调墨要点”“调墨变化”“调墨秘诀”等项逐条讲解了各自的手法，并融合了一些实际的画法讲解。
另外，同时出版的姐妹篇《从零开始学水墨画 调墨和运笔的核心技法》一书中介绍了墨的处理方法和笔的移动等基本概念和技法。推荐和本书一同购买阅读。
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