《我会长大起来》为儿童文学作家任溶溶的诗集选。每个读者都在这本小诗集中都能找到自己或者周围人的影子。这本书记录了作者的童年，同样也反映了中国孩子的童年，因为即使时光流转，童趣是不会变的。大朋友小朋友们，你们有没有在学习上自作聪明、半途而废，却眼睁睁看着自己眼中的傻子取得了成功？你们有没有好奇过，现在在各个领域发挥才华的父母，他们的老师是什么样的人呢？你们有没有和朋友们一起探讨爸爸是做什么工作的？你们有没有自己珍爱的玩具，即使已经长大了，也会好好收藏？你们有没有被牙医吓哭，之后就下定决心要好好刷牙？如果你的答案是肯定的，不妨翻开这本书，找到童年的乐趣。
This is a collection of Ren Rongrong''s children''s poems. Each child can find the story of himself or other children. This collection records the childhood of the writer as well as the children nowadays. Dear children, have you ever given up learning something because of the laughing of others while another "idiot" ignored the laughing and learned the skill?Have you ever wondered who is the teacher of my parent? Have you ever discussed with your friends about the work of your father? Have you owned a toy that you would never desert? Have you been scared by a dentist? Have you ever imagined to have a place free to scream without thinking of others? If your answer is YES, why not open this book and refind the fun of your childhood?
關於作者：
任溶溶，中国著名翻译家、儿童文学作家。长期从事翻译工作和儿童文学创作，翻译了俄、英、意、日等多种文字的外国儿童文学作品，包括《安徒生童话全集》《木偶奇遇记》《彼得潘》《夏洛的网》《俄罗斯民间故事》等。著有小说《丁丁探案》，童话集《没头脑和不高兴》等。儿童诗《你们说我爸爸是干什么的?》获第二次全国儿童文艺创作评奖一等奖，曾获陈伯吹儿童文学奖特殊贡献奖、宋庆龄儿童文学奖特殊贡献奖、宋庆龄樟树奖、国际儿童读物联盟翻译奖、翻译文化终身成就奖。
Ren Rongrong is a famous translator and childrens literature writer. He has translated many childrens literature from Russia, England, Italy and Japan, namely Pinocchio, Fairy Tales of Anderson, Peter Pan, Charlottes Web, and Folklore of Russia. His works include Detective Tintin, Scatterbrain and Crosspatch, etc. His work Guess What My Dad Does won the first prize of the Creation of the Arts and Literature for Children. He also won the Special Achievement Prize of the Chen Bochui Prize for Childrens Literature, Special Achievement Prize of the Soong Ching-Ling Prize for Childrens Literature, the Soong Ching-Ling Camphor Tree Award, the Translation Prize of the International Board on Books for Young People, and Lifetime Achievement in Translation.
目錄：
My Brothers the Smartest 01
Papas Teacher 03
From Human to Ape 06
Dressing Himself 08
Naming the Chicks 10
Two Little Facts 12
Guess What My Dad Does 13
A Monster and a Pupil 22
What the Child, Kitty and Adult Say 27
I Have a TOOOOOthache 29
A Song that Never Ends 32
Believe It or Not 33
Tintin and Tonton 35
Grannys a Big TV Fan 40
Stories of My Mom 43
A Place Where You Can Shout 50
A Puzzle Game 53
A Topsy-Turvy Song 56
News and History 59
A Song from the Sky 62
A Fluffy Bear 65
Never Fail to Have Fun 68
Sound 70
The Cocks Crow 72
Sometimes Big, Sometimes Small 73
I Will Grow Up 75
I Am Pig 77
I Admire Celebrities 81
A Rainy Day 83
Luckily the Earths Round 84
What a Lucky Thing 86
Babys Songs 89
A Poem from Eating Wonton 91
You Know Yours, I Know Mine 93
Moonlight 94
What a Big Theater 96
You Bloom Yours, I Bloom Mine 97
This Is a Picture 98
I Am a Brave Eater 99
Peoples Faces 100
Barking Dogs 102
People Behind the Heroes 103
Writing Desk 105
A Small T-shirt 106
Old Home, Old Roads 108
Im Older than This City 110
Tales from My Homeland 112
The Story of a Tin Soldier 114
A Tale with an Extra Beginning 116
How Did Granny Look When She Was a Girl 118
Waiting for a Chance 120
A Poem Between Centuries 125
Invisible Me 128
Fall, Get up, Walk on 130
An Egg from Above 132
My Brothers a Parrot 133
Our Princess Sissi 135
Because I Write 136
How to Read a Book 137
Once I Read Such a Book 138
To the Doctor 139
A Picky Boy 141
Classmates 143
A Little Smart Wizard 145
Dream Not a Dream 149
內容試閱：
Preface
I
Vicissitudes do mark human affairs always;
Time comes, time goes, thus there are old as well as modern days.
In Natures bosom remains the historical site;
My friends and I now, in our turn, climb to the heights.
Tang Dynasty： Meng Haoran
Modern Chinese literature already has a history of 100 years, so does
modern Chinese childrens literature. This has left us with a great number of
famous sites in the spiritual field and led us to ascend and appreciate the
boundless scenery of the literature world.
In this globalized, networked and informationalized era, it is not only
possible but also necessary for Chinese literature to become integrated
into world literature and spread out across the world. Since the start of the
21st century, China has attracted much attention by becoming the second
largest economy in the world. The craze for China, craze for the Orient
and craze for sinology are increasingly heated up, which demonstrate that
Chinese culture is gradually being granted its due status and value in the
world culture. At the Frankfurt Book Fair and the Beijing International Book
Fair, both held once a year, the translated introduction and copyright output
of Chinese literature play a significant role; the China Writers Association
organizes writer delegations annually to go around the world for exchanges
on literature; famous universities in China such as Peking University, Beijing
Normal University, Fudan University and Nanjing University hold a variety
of seminars on world literature and comparative literature each year and
dispatch professors and experts as visiting scholars; the Confucius Institutes
around the world have become friendly envoys disseminating Chinese
culture. The key focus is introducing Chinese culture and literature to the
world, and that includes Chinese childrens literature.
Chinese childrens literature is deeply rooted in the fertile cultural soil of
the 5,000-year Chinese nation inherited from oracle bone inscriptions. It
picks up the remote myth totem like In Pursuit of the Sun and Bird Jingwei
Trying to Fill the Sea, and carries forward the treasury of folk fairy tales and
songs with colorful agricultural civilization since the Qin 221 BC206 BC
and Han 206 BC220 AD dynasties. After entering modern times, with an
open mind, it has absorbed new elements and patterns of foreign childrens
literature represented by Europe and America, thus developing into the
modern Chinese childrens literature we see today. From the beginning of
the 20th century, Chinese childrens literature now presents a splendid sight
after strenuous efforts and intelligent creation by five generations of writers,
including Ye Shengtao, Bing Xin, Mao Dun, Zheng Zhenduo and Feng Zikai
first generation; Zhang Tianyi, Yan Wenjing, Chen Bochui, He Yi and
Jin Jin second generation; Ren Rongrong, Ren Dalin, Hong Xuntao, Ge
Cuilin, Sun Youjun and Jin Bo third generation; Ge Bing, Zhang Zhilu, Gao
Hongbo, Cao Wenxuan, Qin Wenjun, Shen Shixi and Huang Beijia fourth
generation; Yang Hongying, Tang Sulan and Xue Tao fifth generation.
Today, Chinas status as a large country producing childrens publications
is forged by outstanding performance with 600 million copies of childrens
books published each year, more than 80,000 categories in the retail market
and the annual sales of over 8 billion yuan. Here, childrens literature books
are dominant products. Excellent childrens literature works in China win
warm praise from young readers. These works include Cao Wenxuans novel
Grass House which has gone through 130 printings over a period of 10 years;
Yang Hongyings Naughty Boy Ma Xiaotiao has published 20 million in
total; Childrens Literature published in Beijing has a monthly circulation
of some 1.1 million copies, making it the largest print run of a pure literature
publication in China.
Childrens literature books also include E-books, and audio-video ones.
Various forms of reading activities organized all over the country have
promoted reading of the classics, early-stage reading, parent-child reading,
class reading, picture book reading, allowing childrens literature to move
into the spiritual world for millions upon millions of children China now has
367 million juveniles.
II
China is now a country with the door open to the outside world. Chinese
childrens literature with distinctive modern features has to go out to the
world and children of different complexions also need to know and have
an influence on Chinese childrens literature. It is therefore necessary and
entirely proper to present Best Chinese Childrens Literature Chinese and
foreign language versions, which contains the most original, influential and
typical childrens literature works in contemporary China. Publication of this
series is believed to have multi-faceted realistic meaning and cultural value
for Chinese childrens literature to go out into the world.
First, the world will get to know China.
Contemporary China can be understood through the Great Wall, the
Palace Museum, the Terra-Cotta Warriors, Peking Opera, martial arts,
pandas, the Birds Nest and the Water Cube and other facilities built for the
2008 Olympic Games, the Three Gorges Dam, atomic bomb, hydrogen
bomb and artificial satellite, high-speed railways and manned spacecrafts.
However, its far from enough. China should also be understood through
its literature that profoundly expresses the realistic life, thinking, emotions
and psychologies of todays Chinese people. The best way to know the future
development of China is through its childrens literature. This is what grownups
write for the younger generation and it contains spiritual dialogues and
value expectations between two generations. Therefore, first-class childrens
literature works in contemporary China can make the world understand the
realistic life and mental condition of children in China as well as their ideals,
pursuits, dreams, emotions and living status; the world can also get to know
how Chinese culture and society express requirements and expectations for
the next generation through childrens literature works, and get a view of the
influence and meaning of Chinas cultural and social changes today on the
foundation for the humanity of the next generation. Lu Xun, a major writer
of modern Chinese literature, once said, The status of childhood decides the
future fate. The current Chinese childrens literature naturally reflects the
trend of China in the future.
Second, children around the world can get familiar with and befriend
each other.
Childrens literature is world literature in the real sense, because it is
created based on childlike innocence and a common language. Childrens
literature has therefore global perspectives while showing the culture
of its own nation; it embodies the spirit of the times and also presents
ethnic characteristics; it is of artistic nature but belongs to children. The
significance of childrens literature as world literature is most conspicuous.
It is in the broad field of childrens literature that the young of different
colors, nations, languages and cultures all over the world get together to
enjoy the fun, dream and freedom of the childhood. Children in China have
tasted the myth, diversity and beauty of cultures in different parts of the
world by reading fairy tales in the ancient Greek, Aesops fables, Andersons
fairy tales, The Adventures of Tom Sawyer, Pippi Longstocking and Harry
Potter; similarly, children all over the world, if having the chance to read
Chinese childrens literature, will also be able to know and feel the youth,
profoundness and beauty of the ancient China. Best Chinese Childrens
Literature Chinese and foreign language versions undoubtedly opens
a colorful door for children around the globe to know Chinese childrens
literature and paints a discovery path towards the mental world of children
in China......
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