英文目录
CONTENTS
VOLUME ONE
Preface by Cao Yu 22
Preface by Zhang Geng 24
Preface by Wang Zhaowen 27
Foreword by Huang Dianqi 30
Facial Makeup in Chinese Opera： a Synopsis 001
Chapter I.
Evolution of Chinese Theatrical Face Painting 005
1. Masks from the New Stone Age to the Zhou Dynasty c.8000 BC-256 BC 006
Human Faces Decorating Earthen and Stone Objects 006
Designs on masks dated to the Shang 1600BC-1100BC and Zhou 1100BC-256BC dynasties 010
Motifs 022
2. Evolution from Han Dynasty Masks to Tang Dynasty Painted Faces 025
Masks and costumes in acrobatic performances During the Han Dynasty 025
Masks and painted faces During the Tang Dynasty 027
Painted Faces for Female Roles in Chinese Opera 030
3. Masks and Painted Faces During the Song, Jin and Yuan Dynasties 042
The Song Dynasty Painting 046
4. Full Development of Facial Makeup from the Early Ming to End of the Qing Dynasty 050
Ming Dynasty Facial Makeup for Qinqiang Opera 058
Evolution of Facial Makeup for Ma Wu from the Ming Dynasty to Today 059
Painted Faces from Zhongqiu Studio, Tongzhi and Guangxu Reigns 059
How Actors Looked in the Qing Court Theatrical Office, Qing Dynasty 061
5. A Brief Survey of Theatrical Mask-related Culture 082
6. Theatrical Masks Used Today 088
7. Facial Makeup for Clowns 090
Chapter II.
Color, Design and Symbolism in Different Styles of
Painted Faces in Chinese Opera 093
1. Color in Theatrical Facial Makeup 094
2. Designs on Painted Faces 128
3. Signs Used in Facial Makeup in Chinese Opera 135
4. Patterns of Painted Faces in Chinese Opera 142
VOLUME TWO
Chapter III.
Schools of Chinese Theatrical Facial Makeup 213
1. He Guishan 214 2. Wang Changlin 215 3.Qian Jinfu219
4.Yang Xiaolou 226 5. Xu Deyi230 6. Hao Shouchen 233
7. Fan Baoting243 8. Jin Shaoshan 246 9. Hou Xirui 254
10. Liu Kuiguan 264 11. Liu Yanting 270 12. Ma Liankun 270
13. Li Wanchun 271 14. Qiu Shengrong 273 15. Yuan Shihai 274
16. Zhang Jinliang 275
Schools of Theatrical Facial Makeup as Seen in the Painting
Thirty Stars of the Tongzhi and Guangxu Eras285
Chapter IV.
Facial Makeup in Major Types of Chinese Opera 291
1. Northern Kunqu Opera 292 2. Hebei Bangzi Opera 293
3. Sixian Opera 312 4. Hebei Luantan Opera 312
5. Laodiao Bangzi Opera 317 6. Wuan Pingdiao Opera 317
7. Yuju Opera 326 8. Dapingdiao Opera 341
9. Daxian Opera 342 10. Luoxi Opera 343
11. Wangbang Opera 343 12. Huaidiao Opera 344
13. Yuediao Opera 344 14. Qinqiang Opera 346
15. Jinju Opera 361 16. Puzhou Bangzi Opera 375
17. Shaoju Opera 384 18. Puxian Opera 387
19. Huaiju Opera 390 20. Dianju Opera 390
21. Shandong Bangzi Opera 391 22. Minju Opera 393
23. Hanju Opera 393 24. Liuzi Opera 397
25. Jinghe Opera 399 26. Yihuang Opera 404
27. Qingyang Opera of Jiujiang 406 28. Donghe Opera 408
29. Huiju Opera 408 30. Ganju Opera 416
31. Qiju Opera 417 32. Xiangju Opera of Changsha 428
VOLUME THREE
33. Chenhe Opera 435 34. Xiangju of Hengyang 435
35. Changde Opera 446 36. Baling Opera 452
37. Chuanju Opera 455 38. Face-Changing in Chuanju Opera 463
39. Yueju Opera of Guangdong 466
40. Religious Processions on Traditional Festivals in Shaanxi 474
41. Baiju Opera 478
42. Beijing Opera 482 43. Masks Used in Tibetan Opera 581
44. Puppet Shows 587 45. Shadow Plays 590
46. Shadow Puppets of Sprites and Demons from Beibin, Gansu Province 596
47. Lu Jingda and Bejing Shadow Puppets 598
48. Shadow Plays of Jixian County, Tianjin 600
49. On-the-Ground Plays of Anshun, Guizhou Province 601
50. Nuotang Exorcism Opera, Guizhou Province 604
51. Guan Suo Opera, Yunnan Province 610
Chapter V.
Chinese Opera Face-Painting Procedures 613
1. For a Male Role with a Multicolor Face 614 2. For the Clown 616
3. Colors and Solvents Used 617 4. Tools Used 617 5. Figure Paintings on Plays 626
Appendix：
Studies in Facial Makeup 637
The Inheritance and Development of Theatrical Facial Makeup Since the Foundation of PRC 638
Qi Rushan on Facial Makeup 639 Weng Ouhong on Facial Makeup 640
Chang Daichien on Facial Makeup 643
Dialogue Between Wang Zhaowen and the Author, on Facial Makeup 646
Publishers Note 655
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