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| 編輯推薦： |
建筑、绘画、音乐、电影、雕塑、文学、家具不同艺术门类表象各异、各有特色;它们之间有何渊源，如何联系，能否转换？
隐藏在这些表象背后的深层问题，长期以来一直是建筑师、设计师常为关注及思考的
本书正是探讨建筑与其他门类之间的抽象联系，并试图进行不同转化。适合从事建筑设计、研究及评论者阅读
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| 內容簡介： |
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从自然形成的地形地貌中截取相应的形态，并以此进一步地对形态本身进行空间层面的观察与操作是该书的主旨。通过对所选取的地形进行空间图式的抽取与建模，进而整理出由地形所产生的拥有建筑含义的空间形态，其过程本身不仅仅是对于空间的观察，其所做的一切，事实上也是一种对于所谓地域性问题的描写与诠释。从俯瞰的视点对地域性表达进行新的思考和观测是本书的主要特质。本书适合从事建筑设计、研究及评论者阅读。
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| 關於作者： |
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王昀，北京建筑大学建筑设计艺术研究中心教授，日本东京大学硕士、博士，聚落研究专家，著名建筑师，北京大学建筑学研究中心副教授，多个研究性的建筑作品被国内外的建筑杂志报道，主要作品《传统聚落结构中的空间概念》《空间的界限》《一座房子的哲学观》《空间穿越》《空谈空间》《向世界聚落学习》繁体字版《向世界聚落学习》简体字平、精装版《从风景到风景》《空间的潜像》《建筑与音乐》《中国当代建筑师系列王昀》
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| 目錄：
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目录
序
导读
1 非透视学视点下的写生
2 从地形到空间的19 个实例
实例 2-1
从北纬23.45''36.63"，东经117.22''11.19" 周边地形所选择出的建筑
实例 2-2 从北纬23.54''55.90"，东经57.06''02.58"
周边地形所选择出的建筑
实例 2-3
从北纬31.52''20.67"，东经36.58''39.98"
周边地形所选择出的建筑
实例 2-4
从北纬31.53''02.68"，东经36.52''23.09"
周边地形所选择出的建筑
实例 2-5
从北纬32.11''20.17"，东经36.08''46.05"
周边地形所选择出的建筑
实例 2-6
从北纬23.45''01.54"，东经117.14''03.03" 周边地形所选择出的建筑
实例 2-7 从北纬32.13''03.67"，东经36.08''35.01"
周边地形所选择出的建筑
实例 2-8
从北纬32.13''10.41"，东经36.14''03.79"
周边地形所选择出的建筑
实例 2-9
从北纬23.54''27.80"，东经117.28''36.57" 周边地形所选择出的建筑
实例2-10 从北纬32.06''07.90"，东经37.22''11.49"
周边地形所选择出的建筑
实例2-11 从北纬14.56''29.75"，东经43.23''25.95"
周边地形所选择出的建筑
实例2-12 从北纬14.52''56.87"，东经43.17''50.12"
周边地形所选择出的建筑
实例2-13 从北纬32.16''08.40"，东经36.05''48.26"
周边地形所选择出的建筑
3 从自然中直接截取的建筑
实例2-14 从北纬53.50''51.13"，东经73.24''12.32"
周边地形所选择出的建筑
实例2-15 从北纬34.17''24.41"，东经57.33''20.18"
周边地形所选择出的建筑
实例2-16 从北纬39.59''50.83"，东经120.43''55.90" 周边地形所选择出的建筑
实例2-17 从北纬37.30''33.17"，东经122.00''32.90" 周边地形所选择出的建筑
实例2-18 从北纬35.38''12.54"，东经120.46''43.01" 周边地形所选择出的建筑
实例2-19 从北纬40.45''16.15"，东经144.52''45.92" 周边地形所选择出的建筑
实例3-1
直接截取北纬36.75''84.63"，东经110.49''35"
周边隆起的地形所获得的空间形态
实例3-2
直接截取北纬37.46''65.09"，东经110.99''91.12"周边隆起的地形所获得的正向空间形态
实例3-3
直接截取北纬37.46''65.09"，东经110.99''91.12"周边隆起的地形所获得的负向空间形态
实例3-4
直接截取北纬24.38''16.94"，东经121.11''84.74"周边隆起的地形所获得的空间形态
实例3-5
直接截取北纬7.32''52.19"，东经134.49''15.70"
周边隆起的地形所获得的空间形态
Contents
Preface
Introduction
1 Paint from life based on
non-perspective science
2 19 samples of transformation from
landform to space
Sample 2-1
Sample 2-2
Sample 2-3
Sample 2-4
Sample 2-5
Sample 2-6
Sample 2-7
Sample 2-8
Sample 2-9
Sample 2-10
Sample 2-11
Sample 2-12
Sample 2-13
Sample 2-14
Sample 2-15
Architecture chosen from landform around
23.45''36.63" N, 117.22''11.19" E
Architecture chosen from landform around
23.54''55.90" N, 57.06''02.58" E
Architecture chosen from landform around
31.52''20.67" N, 36.58''39.98" E
Architecture chosen from landform around
31.53''02.68" N, 36.52''23.09" E
Architecture chosen from landform around
32.11''20.17" N, 36.08''46.05" E
Architecture chosen from landform around
23.45''01.54" N, 117.14''03.03" E
Architecture chosen from landform around
32.13''03.67" N, 36.08''35.01" E
Architecture chosen from landform around
32.13''10.41" N, 36.14''03.79" E
Architecture chosen from landform around
23.54''27.80" N, 117.28''36.57" E
Architecture chosen from landform around
32.06''07.90" N, 37.22''11.49" E
Architecture chosen from landform around
14.56''29.75" N, 43.23''25.95" E
Architecture chosen from landform around
14.52''56.87" N, 43.17''50.12" E
Architecture chosen from landform around
32.16''08.40" N, 36.05''48.26" E
Architecture chosen from landform around
53.50''51.13" N, 73.24''12.32" E
Architecture chosen from landform around
34.17''24.41" N, 57.33''20.18" E
3 Architecture directly extracted from
nature
Sample 2-16
Sample 2-17
Sample 2-18
Sample 2-19
Sample 3-1
Sample 3-2
Sample 3-3
Sample 3-4
Sample 3-5
Architecture chosen from landform around
39.59''50.83" N, 120.43''55.90" E
Architecture chosen from landform around
37.30''33.17" N, 122.00''32.90" E
Architecture chosen from landform around
35.38''12.54" N, 120.46''43.01" E
Architecture chosen from landform around
40.45''16.15" N, 144.52''45.92" E
Spatial patterns acquired by directly
extracting upheaval area
around 36.75''84.63"N, 110.49''35"
E
Spatial patterns of forward direction
acquired from upheaval landform
around 37.46''65.09" N,
110.99''91.12" E
Spatial patterns of negative direction
acquired from upheaval landform
around 37.46''65.09" N,
110.99''91.12" E
Spatial patterns acquired by directly
extracting upheaval area
around 24.38''16.94"N,
121.11''84.74" E
Spatial patterns acquired by directly
extracting upheaval area
around 7.32''52.19"N,
134.49''15.70" E
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| 內容試閱：
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将大自然的地貌形态直接转化为具有建筑含义的空间形态，是这本书重点要讨论的问题。这种将自然与建筑相结合的想法，源于20世纪90年代末的一次从北京至成都的飞机途中。当我从由北京出发的班机上俯瞰到太原一带如刀削的地貌，俯瞰到进入西安一带的高原台地，俯瞰到四川境内烟雾缭绕的山峦，过程中所呈现的山形地貌的变化以及彼此间的对比，都在述说着地域本身所拥有的视觉特征。地形的画面感，河流的曲线，让我看到了其中所呈现的空间，看到了其中所呈现的建筑，自然也看到了展现于其表面的地形地貌所呈现出的体块特征。
随着卫星地图的发展，鸟瞰自然本身变得如此容易，获得大地图像的方式也变得如此轻而易举，而这种鸟瞰自然图像技术的发展最终也促使着观念的变化。于此所呈献的这本《建筑与自然》，是希望能够将我在这一系列鸟瞰自然过程中所看到的大地这一自然形态本身所呈现出的空间与建筑转而呈献给读者，希冀透过这一切，使读者能够由此而看到和发现更多自然本身正在呈现着的新的空间与建筑的世界。
The book focuses on the issue of direct transformation
from natural landforms into spatialpatterns with architectural meanings. This
idea of integrating nature with architecture originatedfrom a flight from
Beijing to Chengdu in the late 1990s. Starting from Beijing, I watcheddownwards
from the plane the difference and contrast among various landforms along
thejourney, such as steep cliffs around Taiyuan city, plateaus and terraces
around Xian city andmist-shrouded mountains in Sichuan province, all
expressing visual features possessed byterritories themselves. The picturesque
landforms and curvy rivers, in addition to presentingblock features on the
surface, reveal space patterns and architecture forms contained within.With the
development of satellite maps, it becomes easier and easier to get a
birds-eye viewof nature and obtain images of land. Meanwhile, the development
of such graphic technologymay finally promote change of concepts.
This book, Nature and Architecture, is
expected to show readers what I have discoveredduring serial observations of
aerial view of nature： space and architecture revealed by naturalpatterns of
land. I hope readers can, through all these, see and find more new spaces
andarchitectures worlds that nature itself is revealing.
王昀
Wang Yun
2016年05月
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