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內容簡介: |
Onedistinctivefeatureofpost-warJapanesecinemaisthefrequentrecurrenceofimagisticandnarrativetropesandformulaiccharacterizationsinfemalerepresentations.Theserepetitionsareimportant,JenniferCoatesasserts,becausesentimentsandbehavioursforbiddenduringthewarandpost-warsocialandpoliticalchangeswereoftenarticulatedbyorthroughthefemaleimage.Movingacrossmajorcharactertypes,frommotherstodaughters,andschoolteacherstostreetwalkers,MakingIconsstudiestheroleofthemediainshapingtheattitudesofthegeneralpublic.Japanesecinemaafterthedefeatisshowntobeanimportantgroundwheresocialexperienceswereexplored,reworked,andeventuallyacceptedorrejectedbytheaudienceemotionallyinvestedintheserepetitivematerials.
Anexaminationof600filmsproducedanddistributedbetween1945and1964,aswellasnumerousJapanese-languagesources,formsthebasisofthisrigorousstudy.MakingIconsdrawsonanart-historicaliconographicanalysistoexplainhowviewersderivemeaningsfromimagesduringthispeakperiodoffilmproductionandattendanceinJapan.
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關於作者: |
JenniferCoates
JenniferCoatesisanassistantprofessorintheGraduateSchoolofLettersandHakubiResearchCenteratKyotoUniversity.Herresearchinterestsincludegender,popularculture,audience,andmemorystudies.
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