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| 內容簡介： |
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郑燕*的《纳博科夫之他者意识空间构建》的研究是以纳博科夫作品中所特有的哲学、美学以及文化为出发点，通过解析其上世纪50年代到50年代的三部代表作品来探讨自我在“另一世界”文本语境下的表现、发展与穿越。作者认为：纳博科夫从哲学、美学、文化阐释了一个以他者、或者他性为媒介的在言之我，在《斩首之邀》中穿越于俗世与“另一世界”之间；在《塞巴斯蒂安骑士》中穿越于“真实”与现实之间，在《说吧，记忆》中穿越于过去和现在、个人历史和公众历史之间。
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| 目錄：
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Introduction
Chapter One The Speaking "I" Pinned in the Mundane and the Otherworld in Invitation to a Beheading
Ⅰ The Mundane World
Ⅱ The Otherworld
Ⅲ The Interconnection between the Mundane and the Otherworld
Ⅳ Cincinnatus the Writer VS. Nabokov the Speaking Self
Chapter Two The Speaking "I" Inscribed Between Literary "Real" and Imagination in The Real Life of Sebastian Knight
Ⅰ The Real and the "Real" Imaginative
Ⅱ The Life of Sebastian Knight
Ⅲ V.''s Epiphany Through Fictional Construction
Ⅳ A Space of Mimicry Constructed for Nabokov''s Speaking Self
Chapter Ⅲ The Speaking "I" Reinscribed In-between Personal Life and Impersonal Art in Speak, Memory
Ⅰ Past Memories Framed into Pattern of Artistic Consciousness
Ⅱ The Return to the Textual Space in the Past
Ⅲ The Self-analysis of the Speaking "I"
Ⅳ The Practice and Creation of the Self in Exile
Conclusion
Bibliography
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