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內容簡介: |
IbsenhasremainedapopulardramatistinChinaandhehasmadeanotablecontributiontoChinaintheprocessofitsmodernity.HewasoneoftheWesternwritersfirstintroducedintoChinaduringthestormyyearsatthebeginningofthe20thcenturywhenChinastartedtotransformitselffromafeudalisticnationintoamodernone。
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目錄:
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1.Ibsen:AContemporayBangladeshiPlaywrightAhmedAhsanuzzaman
2.Ibsen’SCompass:PointsofDreadandDesireAnneCharlotteHanesHarvey
3.OnPeerGynt:ACriticalReviewoftheAnnualPeerGyntPerformancein
Golaa,GudbrandsdalenAstridSather
4.NorwegianSuperman—or?WhattothinkasaNorwegianwhenIbsenhasgone
global,withJohnGabrielBorkmanasexampleBenedikteBerntzen
5.ADoll''sHouseandKramerVS.Kramer:ObjectionstoFamilyLawBjarneMarkussen
6.SomeObservationsonIbsen’STheWifdDuckCharlesKalish
7.TreadingonNewGround:AfricanAdaptationsof“ADoll’SHouse”CheelaFKChilala
8.FromSelf.10sttoSelf.realization—Ibsen’SNoraandChineseWomen’S
QuestforModernAiminChe?
9.Multi—receptionsofIbsenisminChina.FromMisinterpretationt0Innovation
LiangChen
10.InterculturalisminTheatreandtheChinesePerformancesofIbsenChengzhouHe
11.TranslatingIbsenin2009:AnApologyofLiteralityCristinaGomezBaggethun
12.DiscordandHarmonybetweenHumanandNature:AnEcologicalInterpretationof
TheLadyfromtheSeaDanniDai
13.TheRoleofWomenintheReceptionofIbseninFinlandinthe1880sand1890sH.K.Riikonen
14.InterculturalImplicationsofADoll''sHouse:ExperienceswithaProductionof
Ibsen''sPlayinMozambiqueHelgeRearming
15.TwoDissentingVoices:HaroldPinter''sMountainLanguageandHenrikIbsen''sA
Doll''sHouseIbrahimYerebakan
16.Ibsen''s"MasterBuilder":AChurch,aHouse,aCastleintheAirJanetRoberts
17.TheCrisisintheSelfandtheSelfinTimesofCrisisJasminkaMarkovska
18.TheThemeof"Discussion":Ibsen,ShawandDingXilinComparedJianSun
19.MappingEtdukkehjemJulieHolledge
20.IbsenandRabindranathMeetingPointsKazalKrishnaBanerjee
21.PeerGynt''sBoundarycrossings:TheGlobalMapofHisEmpiricalandMentalJourneys
KnutBrynhildsvoll
22.BeyondtheTarantella:RevisualizingPainandPleasureinHenrikIbsen''sADoll''s
HouseLauLeungChe,Miriam
23.TheInteractionofTextsandPerformancesofIbsen''sPlays——IbsenintheDrama
TeachinginShanghaiTheatreAcademyMinghouLiu
24.IbsenintheGlobalizedSociety:Multiculturalism—ortheLackthereof—inNorwegian
IbsenPerformanceLixianCheng
25.ReceptionofIbseninLatviaduringtheSovietOccupation(1940—1991)MaijaBurima
26.PostperestroykaReceptionsinStagingIbsenMargaritaOdesskaya
27.PlaybirdorFeatherbrain?MayBritAkerhoIt,
28.TranslatingInsen’SByggmesterSolnessintoRussianOlgaD.Drobot
29.SingularlyBound:HenrikIbsenandTheatricalSurvivalOliviaGu/2n
30.TheLadyfromtheSea:EmergenceFromMarineUnconscioustoAwakenedLivingRakesh
MohanSharma
31.Ibsen’SEnigmaVariations:Re—imaginingInterculturalPerformanceResearchRustom
Bharucha
32.TheUseofGunandtheMythofFreedomSabihaHuq
33.“PoliticalOrgies”:Ibsen’SPlaysandContemporaryBangladeshShaftAhmed
34.NorainADoll''sHouseandBangladeshPerspectiveShahMohammadSahaulkarim
35.VerfremdungseffektinMabouMinesDollhouseSusanMason
36.TheMakingofaWorldDramatist:IbsenandDetNorskeTheaterTanyaThresher
37.IbseninBengal(easternIndia):NegotiatingDifferenceContemporaryBengali
RepresentationsofWhenWeDeadAwakenandTheWildDuckTapatiGupta
38.Ibsen''sUseofHolyDays:AnAmalgamofPhilosophy,PoetryandReligionTraustiOlafsson
39.IbseninNigerianTheatre:DramaticArtsDepartment,ObafemiAwolowoIleIfe,Osun
StateasaCaseStudyTundeBakare
40.GlobalizingNoraandTorvald:OyamO''sASelfishSacrifice—inChina?VictorCastellani
41.IbsenandUsigli.TwoCreatorsofaNationalTheaterVictorGrovasHajj
42.RethinkingIbsen''sMultipleInfluencesonModernChineseDramaYuliWang
43.ADoll''sHouseonChineseStageLanlanXie
44.FeministAwakeningandSelfdefinitionAComparativeStudyofFemaleCharactersin
ADoll''sHouseandJinPingMeiRulanYe
45.TowardaRediscoveryofIbsen''sNationalHistoricalPlaysinChinaXujiaZhou
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