Tracing the development of the musical on both Broadway and in
London''s West End, this updated Companion continues to provide a
broad and thorough overview of one of the liveliest and most
popular forms of musical performance. Ordered chronologically,
essays cover from the American musical of the nineteenth century
through to the most recent productions, and the book also includes
key information on singers, audience, critical reception, and
traditions. All of the chapters from the first edition remain –
several in substantially updated forms – and five completely new
chapters have been added, covering: ethnic musicals in the United
States; the European musical; Broadway musicals in revival and on
television; the most recent shows; and a case study of the creation
of the popular show Wicked based on interviews with its creators.
The Companion also includes an extensive bibliography and
photographs from key productions.
目錄：
Preface
Part I. Adaptations and Transformations: Before 1940
1. American musical theatre before the twentieth century Katherine
K. Preston
2. Non-English language musical theatre in North America John
Koegel
3. Birth pangs, growing pains and sibling rivalry: musical theatre
in New York, 1900–1920 Orly Leah Krasner
4. American and British operetta in the 1920s: romance, nostalgia
and adventure William A. Everett
5. Images of African Americans: African-American musical theatre,
Show Boat and Porgy and Bess John Graziano
6. The melody and the words linger on: American musical comedies
of the 1920s and 1930s Geoffrey Block
Part II. Maturations and Formulations: 1940 to 1970
7. ''We said we wouldn''t look back'': British musical theatre,
1935–1960 John Snelson
8. The coming of the musical play: Rodgers and Hammerstein Ann
Sears
9. The successors of Rodgers and Hammerstein from the 1940s to the
1960s Thomas L. Riis and Ann Sears
10. Musical sophistication on Broadway: Kurt Weill and Leonard
Bernstein Bruce D. McClung and Paul R. Laird
Part III. Evolutions and Integrations: After 1970
11. Stephen Sondheim and the musical of the outsider Jim
Lovensheimer
12. Choreographers, directors and the fully integrated musical
Paul R. Laird
13. From Hair to Rent: is ''rock'' a four-letter word on Broadway?
Scott Warfield
14. The megamusical: the creation, internationalization, and
impact of a genre Paul Prece and William A. Everett
15. The European musical Judith Sebesta
16. New horizons: the musical at the dawn of the twenty-first
century Bud Coleman
Part IV. Legacies and Transformations
17. Why do they start to sing and dance all of a sudden? Examining
the film musical Graham Wood
18. Revisiting classic musicals: revivals, film, and television
and recordings Jessica Sternfeld
19. The creation of a Broadway musical: Stephen Schwartz, Winnie
Holzman, and Wicked Paul Laird.
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