This is the most extensively annotated edition of Macbeth
currently available, offering a thorough reconsideration of one of
Shakespeare''s most popular plays. A full and accessible updated
introduction studies the immediate theatrical and political
contexts of Macbeth''s composition, especially the Gunpowder Plot
and the contemporary account of an early performance at the Globe.
It treats such issues as whether the Witches compel Macbeth to
murder; whether Lady Macbeth is herself in some sense a witch;
whether Banquo is Macbeth''s accomplice in crime; and what criticism
is levelled against Macduff. Several possible new sources are
suggested, and the presence of Thomas Middleton''s writing in the
play is proposed. An extensive, well-illustrated account of the
play in performance examines several cinematic versions, such as
those by Kurosawa and Roman Polanski, and a brand new introductory
section on recent performances and adaptations brings the edition
completely up-to-date.
目錄：
List of illustrations page
Acknowledgements
List of abbreviations and conventions
Introduction
Macbeth in legend, Macbeth in history
Topical Macbeth
Occasional Macbeth
Documents
Macbeth in the mind
Succession, time, and families
Master of his time: ‘doubly redoubled
strokes’
Prospect of belief: witches, women, and mediated
knowledge
‘What do you mean?’: the languages of
Macbeth
Macbeth in performance
Performance and adaptation before 1800
Later stagings and versions
Further variations: Kurosawa, Polanski,
Ninagawa
Macbeth in the mind and in performance: Act 4, Scene 3
Recent performances and adaptations
Macbeth filmed
Recent criticism and scholarship
Macbeth in its time and just after
Macbeth since about 1700
Note on the text
Note on the Commentary
List of characters
T HE P LAY
Supplementary notes
Textual analysis
Appendix 1: Casting Macbeth
Appendix 2: Additional text and music
Appendix 3: Relineation of the Folio
Reading list
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