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『英文書』Contemporary Art(9781856697163)

書城自編碼: 2085601
分類: 簡體書→原版英文書→艺术 Art
作者: Terry
國際書號(ISBN): 9781856697163
出版社: Thames&Hudson
出版日期: 2011-07-01
版次: 1 印次: 1
頁數/字數: 348/
書度/開本: 16开 釘裝: 精装

售價:NT$ 2349

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編輯推薦:
"Terry Smith is acknowledged world wide as the leading
authority in the theory of contemporary art."-- Hans Belting,
Professor for Art History and Media Theory, Academy for Design,
Karlsruhe, Germany, from the Global Art and the Museum website.
"Terry Smith is that rare art and social historian able to write
criticism at once alert to the forces that contextualize art and
sensitive to the elements and qualities that inhere to the works of
art themselves."-College Art Association, citation
內容簡介:
Contemporary Art: World Currents argues that, in recent
decades, a worldwide shift from modern to contemporary art has
occurred. Artists everywhere have embraced the contemporary world''s
teeming multiplicity, its proliferating differences and its
challenging complexities. This book shows how contemporary art
achieved definitive force in the markets and museums of the major
art centres during the 1980s. It then became a global phenomenon as
artworlds everywhere began to connect more closely, to become
contemporaneous with each other. New communicative technologies and
expanding social media are now shaping the future of art. Terry
Smith offers the first account of these changes, from their
historical beginnings to the present day. This book breaks new
ground in tracing how modern, traditional and indigenous art became
contemporary in each of cultural region of the world. The author
argues that it is diversity, or the contemporaneity of difference,
not a convergence towards sameness, which makes today''s art
contemporary.
關於作者:
Terry Smith is Andrew W. Mellon Professor of Contemporary Art
History and Theory at the University of Pittsburgh and
Distinguished Visiting Professor, National Institute for
Experimental Arts, College of Fine Arts, University of New South
Wales, Sydney. He was Power Professor of Contemporary Art and
Director of the Power Institute at the University of Sydney. A
leading authority in the theory of contemporary world art, he is
the author of a number of books most recently: What is Contemporary
Art? University of Chicago Press, 2009.

 

 

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