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品種：超過100萬種書，正品正价，放心網購，悭钱省心

送貨：速遞 / EMS，時效：出貨後2-3日

新書推薦： 《 《全面与进步跨太平洋伙伴关系协定》国有企业条款研究 》 售價：NT$ 449.0 《 银行业架构网络BIAN（全球数字化时代金融服务业框架）（数字化转型与创新管理丛书） 》 售價：NT$ 449.0 《 金托邦：江湖中的沉重正义 》 售價：NT$ 275.0 《 易经今解：释疑·解惑·见微 》 售價：NT$ 403.0 《 东欧史（全二册）-“中间地带”的困境 》 售價：NT$ 1010.0 《 虚拟资本：金融怎样挪用我们的未来 》 售價：NT$ 352.0 《 刻意练习不生气 》 售價：NT$ 179.0 《 大宋理财：青苗法与王安石的金融帝国（全彩插图本） 》 售價：NT$ 500.0

內容簡介： From the 5th century BC, when Pythagoras first composed his laws of Western music and science, until the flowering of Romanticism over 2000 years later, scientists and philosophers perceived the cosmos musically, as an ordered mechanism whose smooth operation created a celestial harmony - the music of the spheres. The separation of science and music began with the scientific revolution during the Renaissance, and reached a peak with Romanticism, which celebrated what was human, individual and local. 20th-century science and music, argues Jamie James in this book, have rejected the Romantic ideal and placed the ultimate focus outside the reach of human reason once again. The book provides a survey of the history of science and music, a reassessment of Romanticism and the modernist reaction to it, and a radical intellectual journey. 關於作者： Jamie James was born in Houston Texas and is now the New York Correspondant for The Times and frequently contributes to the New York Times. He is a founding member of Discover and a contributing editor of Archeology.

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