Introduction
0.1 Significance of the Research into Xu as a Poet-cum-Tralator
0.2 Review of the Research into Xu'' s Vee Tralation
0.3 Objectives and Research Method
0.4 Composition and Cotruction
Chapter 1 Social, Cultural, and Peonal Background
1.1 Social, Cultural, and Creative Writing Conditio for the
Artistic Field in Modern China: Attempts at Westernization
1.2 Tralation Agenda in Xu''s Day
1.3 Biographical Evidence for Xu'' s Disposition of
Open-Mindedness to the New
1.4 Xu''s Vee Tralation Practice and Thinking
1.4.1 Interest in Literary Uniqueness of the Source Text
1.4.2 Tralation Ideal veus Formal Shift
1.4.3 Experiment with the Expressivity of Vernacular Chinese
1.5 Summary
Chapter 2 From Defamiliarization to Alienation Effect
2.1 Defamiliarization
2.1.1 Shklovsky'' s Definition
2.1.2 Nature of Defamiliarization
2.1.3 Iights into the Novelty of Poetic Language
2.2 Alienation Effect
2.2.1 Brecht'' s Definition
2.2.2 Differences between Defamiliarization and Alienation
Effect
2.3 Subjective Artistic Nature of Literary Tralation
2.4 Summary
Chapter 3 Alienizing Tralation
3.1 Definition
3.1.1 Undetanding of Defamiliarization in Tralation Studies
3.1.2 Working Definition
3.2 Procedures of Alienizing Tralation regarding the Ontological
Nature of Tralation
3.2.1 Alienization Procedure
3.2.2 Hybridization Procedure
3.3 Summary
Chapter 4 Interness as the Philosophical Motivation for Alienizing
Tralation
4.1 Interness
4.1.1 Interness as the Result of Inteubjectivity
4.1.2 Interness as the Recognition of Cultural Respect and
Complement in Tralating
4.2 Interidentity of a Poet-cum-tralator
4.3 Tralational Inteubjectivity between Xu and His Tralated
Poets
4.4 Inter-textual Reference as a Semiotic Cotruct
4.5 Interdiscuivity of the Language of Tralation, Themes,and
Schools of Poets
4.5.1 Hybridization of the Veification of the Classical
Regulated Metrical Chinese Vee
4.5.2 Rhymed Vee veus Free Vee
4.5.3 Diveity of Themes and Schools of Poets
4.6 Intergender of the Feminine and Masculine
4.7 Summary
Chapter 5 Alienizing Tralation in Relation to the Manipulation of
Tralation Norms
5.1 Significance of Tralation Norms for the Newness Effect of
Tralation
5.1.1 Complementary Relatiohip between Toury'' s and
Chesterman'' s Norms
5.1.2 Reader'' s Expectatio for Newness and Norm-Breaking
Tralation
5.2 Tralation Norms in the Period of Xu''s Tralation Activity
5.2.1 Tralation Norms in the Late Qing Dynasty and Early
Republican Period
5.2.2 Norm of the Language of Tralation in the 1920s
5.2.3 Tralation Norms regarding the Debate on the Language of
Tralation
5.2.4 Tralation Norms of Vee Tralation in the 1920s
5.3 Subjection to the Tralation Norms for the Alienizing
Tralation Effect
5.3.1 In Conformity with Initial Norm : Naturalized into
Chinese Vee
5.3.2 Subjection to Preliminary Norm and Accountability Norm:
Committment to the Movement of the New Poetry and the Crescent
Society
5.3.3 Subjection to Textual-Linguistic Norm: Use of Coinage
and Vernacular Colloquialism
5.4 Summary
Conclusion
Appendix Xu Zhimo''s Vee Tralation
References
Afterword
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